Posts Tagged 'interviews'

Everyone’s in Love With You

Richard Rodriguez at everyonesinlovewithyou.com

photo by Richard Rodriguez

Richard Rodriguez has always had an eye for design. I can remember being blown away by the sketchbooks he kept when we were in school; while mine were always messy and jumbled, with scraps of paper falling out and coffee stains covering half of the pages, Richard’s were always immaculately clean and full of bold, precise drawings, designs and photographs. He had a deceptively simple way of organizing things visually- his imagery was somehow striking yet subtle, offering up an unpretentious invitation to interpretation both at face value and somewhere much deeper, if one was inclined to look there.

Richard now lives and works in New York City. He’s done quite a bit of design work in recent years, all the while continuing to explore and refine his particular aesthetic. He’s always cited an affinity with musician and multi-media artist David Byrne, which I think is apparent in his work. Byrne has always seemed to be motivated by a kind of childlike curiosity and determination to seek out thoughtful ways of dealing with seemingly mundane subject matter, qualities which I’ve seen in Richard’s work time and time again.

Richard started blogging in 2005 as a way to organize his thoughts and ideas. He started a blog using blogger.com and “not knowing what it was”. Eventually he figured it out. Everyonesinlovewithyou.com has slowly evolved from a smattering of interesting links and internet ephemera into one of the most stunning photo blogs I’ve encountered.

Richard doesn’t have any particular subject matter- it’s more of a way of looking at things that binds his photos together. You can line up his pictures of a street fair, a hand-painted storefront sign, and the display case at a neighborhood bakery, and somehow they’re all identifiably similar. I think it’s this quality that reminds me of William Eggleston, pioneer of color photography. Eggleston, who had a background in painting, was known for taking photos that may have appeared, at first glance, somewhat haphazard. He photographed shoes under a bed, puddles during a rainstorm, lightbulbs, ceiling fans and broken down cars- and the “subject” was often cropped or located off-center. People accused Eggleston of shooting from the hip, when in reality his photographs were carefully composed, with much consideration given to color palettes and depth of field.

While not bound to a particular subject, Richard’s photos do succeed in conveying a sense of time and place when viewed together. Most of his photos are taken in and around New York, with special attention paid to details that would go unnoticed by most. A picture of the back of a girl’s head on the subway, a bunch of pink flowers on a median in Times Square, and silhouettes of dancers outdoors at night during a festival all contribute to the ever-evolving visual language that Richard uses to describe his surroundings. Some of his photos could be described as having a documentary style, but they are often accompanied or followed by an image that spins the literal back out into the universal and mysterious.

I’m not sure how much Richard even considers himself a “photographer,” as much as a collector and designer of visual information. While I look at his photos and see beautifully layered, complex compositions, I get the sense that Richard is more focused on building a kind of image-design library; an archive of the ways he has gone about arranging three-dimensional elements within a two-dimensional plane. I interviewed him in my kitchen recently, and we talked about this very thing. Rather than looking at his blog as the “finished product” or as the ultimate and final way to show his photos, Richard seems to be using his blog as more of a digital sketchbook. It’s constantly evolving and changing, with new images being added almost daily to build on the dialog with past images and to provide clues for what’s to come. While there are certain obvious limitations to viewing work on the internet, the fact that artists can use blogging as a platform to solve visual and conceptual problems within their own work seems to make up for it in spades. I think that’s really interesting.

Here Richard talks about blogging and photo adventures.

richiestill

everyonesinlovewithyou.com

Archives: Trent’s Interview (from House in Season)

trentstill

Archives: Jere’s Interview (from House in Season)

In December of 2001 I moved from Kansas City to Huntsville, Arkansas to live by myself and make a film. I stayed in a house my grandparents built when they retired in the 1970’s. The house sits far back on a county road on 80 acres of forest. When I was younger my family would gather at the house for Thanksgiving, the Fourth of July, and other occasions. My grandparents got older and we realized that they couldn’t stay there by themselves much longer. The house was too far from town and they needed someone to check on them every once in a while. My grandma fell and hurt her hip, and it took a long time for the ambulance to arrive. They finally moved to Pawhuska, Oklahoma to be close to my aunt.

My family wasn’t sure what to do with the house. At first my grandparents thought they would sell it or rent it, but it had so much of our family history bound up in it that it was hard to imagine anyone else living there. Finally my dad decided he would buy it. He still lives with my mom in Oklahoma, but they go to the house to maintain it and just to relax now and then. My aunt and some of my cousins stay there sometimes, too. My grandparents have since passed away.

I lived alone in the house for four months. When I got there I wasn’t totally sure what I was going to make a film about. I had received a grant to work on the film, and in the grant proposal I said it was going to be about chicken farmers. I did actually interview a chicken farmer but I was more interested in what it was like to live in Huntsville and what the farmer knew about my grandparents.

After a few weeks I started to feel very lonely. I was getting a lot of reading done but I was craving more human interaction. I decided to try and find a job. I started working at the Sonic in town, and that’s where I met Jere. We started hanging out and I told her I wanted to interview her. At first she didn’t want to be interviewed because she was very shy and didn’t think she could do it. I waited a little while and then asked her again, and that time she said OK. I interviewed her in the room she shared with her husband, Trent, which was on the second floor of Trent’s parents’ house. I was grateful to her because I know she was nervous. This is her interview. The video in it’s entirety is called House in Season.

jerestill

P.S. My little sister did the music.